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A Russian Journal (Classic, 20th-Century, Penguin), by John Steinbeck
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Steinbeck and Capa’s account of their journey through Cold War Russia is a classic piece of reportage and travel writing.
Just after the Iron Curtain fell on Eastern Europe, Pulitzer Prize-winning author John Steinbeck and acclaimed war photographer Robert Capa ventured into the Soviet Union to report for the New York Herald Tribune. This rare opportunity took the famous travelers not only to Moscow and Stalingrad – now Volgograd – but through the countryside of the Ukraine and the Caucasus. Hailed by the New York Times as "superb" when it first appeared in 1948, A Russian Journal is the distillation of their journey and remains a remarkable memoir and unique historical document.
What they saw and movingly recorded in words and on film was what Steinbeck called "the great other side there … the private life of the Russian people." Unlike other Western reporting about Russia at the time, A Russian Journal is free of ideological obsessions. Rather, Steinbeck and Capa recorded the grim realities of factory workers, government clerks, and peasants, as they emerged from the rubble of World War II—represented here in Capa’s stirring photographs alongside Steinbeck’s masterful prose. Through it all, we are given intimate glimpses of two artists at the height of their powers, answering their need to document human struggle. This edition features an introduction by Steinbeck scholar Susan Shillinglaw.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
- Sales Rank: #89934 in Books
- Published on: 1999-12-01
- Released on: 1999-12-01
- Original language: English
- Number of items: 1
- Dimensions: 7.80" h x .60" w x 5.00" l, .37 pounds
- Binding: Paperback
- 240 pages
From Library Journal
After the Iron Curtain was established following World War II, Steinbeck, along with photographer Bob Capa, ventured into the Soviet Union on behalf of the New York Herald Tribune. This 1948 volume collects the full run of his reports with numerous pictures.
Copyright 2000 Reed Business Information, Inc.
From the Back Cover
Steinbeck and Capa's account of their journey through Cold War Russia is a classic piece of reportage and travel writing
Just after the Iron Curtain fell on Eastern Europe, Pulitzer Prize -- winning author John Steinbeck and acclaimed war photographer Robert Capa ventured into the Soviet Union to report for the New York Herald Tribune. This rare opportunity took the famous travelers not only to Moscow and Stalingrad -- now Volgograd -- but through the countryside of the Ukraine and the Caucasus. Hailed by the New York Times as "superb" when it first appeared in 1948, A Russian Journal is the distillation of their journey and remains a remarkable memoir and unique historical document.
What they saw and movingly recorded in words and on film was what Steinbeck called "the great other side there ... [the] private life of the Russian people". Unlike other Western reporting about Russia at the time, A Russian Journal is free of ideological obsessions. Rather, Steinbeck and Capa recorded the grim realities of factory workers, government clerks, and peasants, as they emerged from the rubble of World War II. Through it all, we are given intimate glimpses of two artists at the height of their powers, answering their need to document human struggle.
About the Author
John Steinbeck, born in Salinas, California, in 1902, grew up in a fertile agricultural valley, about twenty-five miles from the Pacific Coast. Both the valley and the coast would serve as settings for some of his best fiction. In 1919 he went to Stanford University, where he intermittently enrolled in literature and writing courses until he left in 1925 without taking a degree. During the next five years he supported himself as a laborer and journalist in New York City, all the time working on his first novel, Cup of Gold (1929).
After marriage and a move to Pacific Grove, he published two California books, The Pastures of Heaven (1932) and To a God Unknown (1933), and worked on short stories later collected in The Long Valley (1938). Popular success and financial security came only with Tortilla Flat (1935), stories about Monterey’s paisanos. A ceaseless experimenter throughout his career, Steinbeck changed courses regularly. Three powerful novels of the late 1930s focused on the California laboring class: In Dubious Battle (1936), Of Mice and Men (1937), and the book considered by many his finest, The Grapes of Wrath (1939). The Grapes of Wrath won both the National Book Award and the Pulitzer Prize in 1939.
Early in the 1940s, Steinbeck became a filmmaker with The Forgotten Village (1941) and a serious student of marine biology with Sea of Cortez (1941). He devoted his services to the war, writing Bombs Away (1942) and the controversial play-novelette The Moon is Down (1942).Cannery Row (1945), The Wayward Bus (1948), another experimental drama, Burning Bright(1950), and The Log from the Sea of Cortez (1951) preceded publication of the monumental East of Eden (1952), an ambitious saga of the Salinas Valley and his own family’s history.
The last decades of his life were spent in New York City and Sag Harbor with his third wife, with whom he traveled widely. Later books include Sweet Thursday (1954), The Short Reign of Pippin IV: A Fabrication (1957), Once There Was a War (1958), The Winter of Our Discontent (1961),Travels with Charley in Search of America (1962), America and Americans (1966), and the posthumously published Journal of a Novel: The East of Eden Letters (1969), Viva Zapata!(1975), The Acts of King Arthur and His Noble Knights (1976), and Working Days: The Journals of The Grapes of Wrath (1989).
Steinbeck received the Nobel Prize in Literature in 1962, and, in 1964, he was presented with the United States Medal of Freedom by President Lyndon B. Johnson. Steinbeck died in New York in 1968. Today, more than thirty years after his death, he remains one of America's greatest writers and cultural figures.
Susan Shillinglaw is a professor of English San Jose State University. She is the author of On Reading the Grapes of Wrath and Carol and John Steinbeck: Portrait of a Marriage.
Most helpful customer reviews
24 of 25 people found the following review helpful.
A story about both Russia and about two journalists
By Adam Rust
I read this book after returning home from a two week trip in Southwestern Russia. Steinbeck and Capa took their journey in 1948. They travel from Moscow to Volgograd and Rostov before turning back in Georgia. Much of the tension in this book springs from the rapidly cooling relationship between leaders of Russia and the United States at that point in time.
Their aim is not political. They seek to understand the hearts of the Soviet people. One of the amusing elements of this book is their regular conflict with the Soviet censors, who refuse to believe that they do not have political motives. Steinbeck intersperses the commentary on Russia with the nuts and bolts of their daily travels. The method mirrors the approach of his 1940 collaboration in the Gulf of California, "The Log from the Sea of Cortez." Steinbeck likes to write about the universal character of people and this trip to Russia or his previous trip in Mexico both speak to that interest. His conclusion is that Russians are like people anywhere else - they are proud of their homes and their families and are sincere in their efforts to build their nascent country. Steinbeck also goes to pains to elicit the hope among the Russian people for peace.
Many of the things that catch their eye remain constant to now. One interesting change is the perspective of the Russian people about the direction of their country. In Steinbeck's recollection, the people recognize that they are sacrificing for the good of their country. In 1948, the Russians expect that they will eventually gain from their hard work. Now they seem to have less faith.
This book is a great chance to learn about the personality of the world famous Robert Capa. During his travels with the Hungarian photojournalist, Steinbeck gets pretty pesky about Capa's personal habits. It seems that Capa likes long baths, other people's books, and morning silence. Steinbeck and Capa share rooms during their trip. I really enjoyed the secondary theme that develops on Capa's behavior.
Everyone should read this book, not just people who want to know about Russia.
23 of 24 people found the following review helpful.
Great book, but buy in hardback - photo quality in the 1999 edition is poor
By Gary Johnson
This is a great book, but you should buy a hardback edition instead of the paperback. I am a frequent visitor to Russia and I enjoyed the oportunity to compare and contrast Russia today with postwar Russia under Stalin. Unfortunately, Robert Capa's photos in the 1999 paperback are small and muddy. I could not even recognize places that I have visited many times. This book was a collaborative effort, but the 1999 printing seriously short changes Capa's contribution.
I don't know if the images are better in the 2001 paperback or the Kindle version, but after reading the 1999 edition I got a copy of the 1948 hardback via Amazon. I recommend that you do the same if you want to fully enjoy this excellent work.
15 of 15 people found the following review helpful.
Post-war Russia through very talented eyes
By Michael Casey
This wonderfully written book takes you through post-war Soviet Union, to farms and cities devastated by war but struggling to return to normalcy. Robert Capa not only adds wonderful photos but his role in this story is both funny and illuminating for any Capa fans. Written in the late 1940s, the story provides us with a very human side of the Russian people. The openness and friendliness of everyone they meet contrasts with the paranoia and hatred so present in the US at that time.
I read this as both a photographer and one who was recently in Russia and the insight provided was very enjoyable and educating. Capa's mannerisms and method of photography allowed his subjects to open up and feel comfortable in his lens -- not an easy thing since so many of the people had lost family and suffered terribly. Steinbeck's writing is honest, funny and his skills as a non-partisan reporter really shine in this work.
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